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Film Synchronization Agreement

ABOUT THIS DOCUMENT

This is an agreement for the use and dissemination of a musical composition between an owner of a musical composition and a producer of a television or film project. This particular agreement is highly detailed, providing for the duration of the composition, the type of use, and the compensation arrangement. These agreements can vastly differ from project to project, however this document can be customized to fit the unique needs of the contracting parties. This agreement should be used by the owner of a musical composition and a production company to enter into an agreement for the use of the composition in a television or film production.

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This is an agreement for the use and dissemination of a musical composition between

an owner of a musical composition and a producer of a television or film project. This

particular agreement is highly detailed, providing for the duration of the composition, the

type of use, and the compensation arrangement. These agreements can vastly differ

from project to project, however this document can be customized to fit the unique

needs of the contracting parties. This agreement should be used by the owner of a

musical composition and a production company to enter into an agreement for the use

of the composition in a television or film production.

SYNCHRONIZATION LICENSE AGREEMENT

This Synchronization License Agreement (the “Agreement”) is made and entered into as of

______________________ [Instruction: Insert Date] (the “Effective Date”), by and between

______________________ [Instruction: Insert Name of Publisher/Publishing Company/

Administrator] (the Licensor”), ________________________________________ [Instruction:

Insert Address], on the one hand, and _____________________ [Instruction: Insert Name of

Producer/Production Company] (the “Licensee”), _________________________________

[Instruction: Insert Address], on the other hand.



WHEREAS, Licensor owns and/or controls certain musical composition(s), as set forth in

Exhibit "A" attached hereto and incorporated by this reference (the “Composition(s)”);



WHEREAS, Licensee desires to include the Composition(s) in the project tentatively entitled

“___________________________” (the “Project”);



NOW, THEREFORE, for good and valuable consideration the receipt of which is hereby

acknowledged by each party hereto, it is agreed as follows:



1. GRANT OF LICENSE



Licensor hereby grants to Licensee the non-exclusive right to synchronize, reproduce, sell,

exhibit, perform, use and otherwise exploit the Composition(s) as set forth in Exhibit “A” hereto.

Licensor hereby waives the "moral rights" of authors, as said term is commonly understood

throughout the world. All rights not expressly granted herein are reserved by Licensor,

including, without limitation, the right to use the Composition(s) on audio-only records.



2. COMPENSATION



Provided Licensor fully performs all material obligations under this Agreement, and in full

consideration of all rights granted herein, Licensee shall pay or cause to be paid to Licensor, the

sum of _______________ Dollars ($_______) [Instruction: Insert Fee Amount] as

compensation, which sum shall be payable upon the later of execution hereof and initial

exploitation pursuant hereto. This compensation shall constitute payment in full to Licensor, and

to all persons or entities deriving or claiming rights through Licensor. [Note: in the event that

an option is needed for certain rights, option compensation provisions can be included in

the grant of rights section in Exhibit “A”]



3. CREDIT



Licensor understands and agrees that the Composition(s) may or may not be used in the final

version of the Project. If the Composition(s) are contained in the final version of the Project,

Licensor shall be entitled to screen credit. The type, size, shape, color, placement, duration and

all other characteristics the credit shall be at Licensee’s sole and absolute discretion. Without

limiting the generality of the foregoing, such credit may be shared with and/or adjacent to credits

relating to other contributors to the recording(s) and/or the Composition(s).



© Copyright 2011 Docstoc Inc. 2

4. PUBLIC PERFORMANCE



A. With respect to any internet and/or television rights granted pursuant to Exhibit "A"

herein, the Composition(s) may only be exhibited by internet or television distributors that have

valid performance licenses from ASCAP, BMI, SESAC or other similar performing rights

societies.



[Comment and Instruction: Choose one. If the production company does not plan to pay

public performance royalties on such uses, include this provision instead:



With respect to any internet and/or television rights granted pursuant to Exhibit "A"

herein, it is hereby acknowledged that the public performance rights for such use are

licensed pursuant hereto and no additional license from ASCAP, BMI, SESAC or other

similar performing right society shall be necessary.]



B. Licensee agrees to furnish a final and accurate music cue sheet of the Project to Licensor,

ASCAP and BMI within the later of thirty (30) days following the initial United States

exploitation of the Project and execution hereof.



5. REPRESENTATIONS,WARRANTIES, INDEMNIFICATION AND LIMITATION

OF REMEDIES



A. Licensor warrants that:



i. Licensor owns and controls one hundred percent (100%) of all copyrights in and to

the Composition(s) throughout the universe;



ii. Neither the Composition(s) nor anything contained in the Composition hereunder will

not violate the
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